Tienda o Museo?Miércoles 8 de febrero, 2012 por admin
“Si los museos se están convirtiendo en supermercados, porque entonces las tiendas departamentales no podrían convertirse en museos?”
Ben Van Berkel
Las Galerias Cheoan, son un proyecto presentado por el estudio de arquitectura holandés UNStudio, fundado por los arquitectos Ben Van Berkel y Caroline Bos.
Situadas en Cheoan a 80km de Seúl, Corea del Sur, la obra replantea el concepto de tienda, definiendolo como un espacio de reunión, un lugar de interés social y cultural.
Programáticamente, la Galería Cheonan incorpora una diversidad de espacios públicos y culturales, incluyendo un centro cultural y un salón VIP. En el sótano, un patio de comidas y un mercado de especias constituyen un destino distínto dentro del edificio, el cual es integrado de forma simultánea con la estrategia global del diseño.
El principal tema arquitectónico de la Galería es el de flujo dinámico. Esto se encuentra tanto en el interior como en el exterior. La arquitectura del edificio de 66,000 m² responde a su posición central al presentar un versátil cambio deliberado en el aspecto. Efectos visuales, iluminación especial y las animaciones garantizan el cambio constante de apariencia en el exterior.
Más adelante podrán encontrar la información oficial enviada desde el estudio.
“La Galería Cheonan responde a las tendencias comerciales actuales en Asia, dónde las tiendas departamentales también operan como lugares sociales de reunión y semi-culturales. Debido a esto, la calidad de los espacios públicos dentro del edificio fueron tratados como un aspecto integral del diseño.”
Ben van Berkel
Ubicación: Cheonan, Korea
Superficie Obra Contruida: 66,700 m²
Sperficie Terreno: 11,235 m²
Programme: Department store with multifunctional facilities
Año: Marzo 2008 – Diciembre 2010
Fotografía: Christian Richters.
Eye Shopping – Re-conquering the public domain within a commercial destination
UNStudio’s Galleria Centercity Department Store in the Korean city of Cheonan reclaims the social and cultural space within the private, commercial large scale department store.
Rather than being the outcome of a prescriptive, standard-critical approach, the design of the Galleria Centercity is based on observations of current behavioural tendencies in large commercial spaces. Particularly in South East Asia, department stores serve a highly social function; people meet, gather, eat, drink and both shop and window shop in these venues. The department store is no longer solely a commercial space, it now offers the architect the opportunity to build upon and expand the social and cultural experience of the visitor. If today we are seeing the museum as a supermarket, then we are also now seeing the department store as a museum.
An expanded interpretation of utility beyond efficiency and profitability is at the heart of the design. In view of this, along with a more varied programme, UNStudio’s design seeks to provide a stimulating experience for the visitor.
On the outside, this is translated into an appearance that is almost impossible to fix. The double layered facades are articulated in a trompe l’oeuil pattern of vertical mullions. The vertical lines on the façade make the scale of the building unreadable; does it contain three floor levels, or fifteen? On the inside, this play with scale and dimension is continued in a way that is at least as radical as the outside. Upon entering, the department store is revealed as a layered and varied space which encourages investigation and unfolds as you move through and up the building.
Programmatically, the Galleria Cheonan incorporates a number of cultural and public spaces, including an art and cultural centre and a vip room. In the basement, a food court and specialty supermarket constitute another distinct destination within the building, which is simultaneously integrated with the overall design strategy.
Cheonan –New city development as platform for innovation
Situated some 80km south of Seoul, Cheonan is well connected to the capital by railway and road, with a new high speed rail link having recently been completed. The area around the new high speed terminal is under development and – prominently visible from the main road – the Galleria Centercity marks the entrance to this new development area.
Dynamic Flow and optical illusion on a grand scale
The main architectural theme for the Galleria Cheonan is that of dynamic flow. This is found both inside and outside. The architecture of the 66,000 m ² building responds to its central position by presenting a deliberately changeable aspect all-around. Moiré effects, special lighting and animations ensure that the outside changes appearance constantly.
The double layered facade encloses the building, with a number of strategic openings incorporated into the inner facade layer.These openings provide daylight to the interior. At the same time, the lamellas of the outer façade prevent direct sunlight from entering the building, ensuring a cooler environment, while the use of white finishes throughout the interior minimises the need for artificial lighting.
The interior derives its character from the accumulation of rounded plateaus on long columns. The repetition of curves, enhanced by coiled strip lighting in the ceilings of the platforms, gives the interior its distinctive character. Four stacked programme clusters, each encompassing three storeys and containing public plateaus, are linked to the central void. This organisation propels a fluent upstream flow of people through the building, from the ground floor atrium to the roof terrace. As the plateaus are positioned in a rotational manner in space, they enable the central space to encompass way finding, vertical circulation, orientation and act as main attractor of the department store. The spatial and visual connections within the space are designed to generate a lively and stimulating environment, in which the user is central.
Media facade – The largest illuminated surface of its kind in the world
The strategy for the building enclosure consists of creating an optical illusion. During the day the building has a monochrome reflective appearance, whilst at night soft colours are used to generate waves of coloured light across the large scale illuminated surface. The lighting design was developed in parallel with the architecture and capitalises on the double layered facade structure. Computer generated animations specially designed by UNStudio are incorporated into the lighting design and refer to themes related to the department store, such as fashion, events, art and public life.
Place branding – not name branding
Rather than creating a platform for a multiple billboard effect made up of individual brand identities, the thematic animated content of the fully integrated media façade facilitates a more holistic and site-oriented urban approach to branding.