Pixeles de bronce
Martes 28 de agosto, 2012
La entrada al evento de la Semana del Diseño en Clerkenwell, Londres fue intervenida por Giles Miller Studio a fines de mayo. El estudio ha creado un arco, cobijado por los arcos preexistentes de hormigón correspondientes a una bodega antigua.
La instalación está compuesta por 20.000 pixeles de madera con forma hexagonal, de igual tamaño cortados a láser. Las superficies fueron manipuladas en sus cuñas y ángulos para dotarlas de luces y sombras entre cada fragmento.
Su carácter geométrico y la reflexión lumínica comienzan a tomar protagonismo dentro del conjunto aunque paralelamente se complementan con la arquitectura clásica que los rodea. Con el juego de pixeles se logra hacer referencia a detalles originales del edificio.
Giles Miller y su preocupación constante por desarrollar nuevos acabados superficiales logra desarrollar grafismo, textura, profundidad y arquitectura en una unidad.
Nombre/ Clerkenwell Archway
Arquitecto/ Giles Miller Studio
Año/ 2012
Ubicación/ Londres, Inglaterra
Giles Miller Studio has created the entrance to Clerkenwell Design Week in the form of a timber archway made up of 20,000 angled wooden pixels. The archway sits inside the original concrete arches of the Farmiloe building, a 150 year old warehouse that has become the hub of the Clerkenwell Design Week.
The Clerkenwell Archway has been built from thousands of hexagonal pieces of laser-cut timber, set on wedges and angled to give differing shades and create light-based pixelation. The surface has been manipulated to show classic architectural detail and reference the original detail of the building, but also to show a contrasting geometric pattern in the centre of the installation. Each of the pixels has been hand-stuck to their individual 20 degree wedge, and then stuck in turn to the walnut veneered surface.
The concept of pixelating the reflection of light has become the main focus of Giles Miller Studio, which strives to develop new surface finishes that incorporate not only texture and depth, but also the ability to represent graphics, pattern or any image that a client might request. The studio also used their own in-house laser-cutting facility, Beam laser cutting to cut the walnut-veneered material, which was supplied by UV Group veneers, one of the worlds leading veneer suppliers who are based in Loughton, East London.
London-based design practice Giles Miller Studio develops a range of innovative surface materials for use in interior and retail design projects. The studio is based in Spitalfields and uses the medium of pixelated light reflection to generate imagery and graphics to suit individual projects and client requests.
The archway, which was originally intended to sit outside in the external corridor of the Farmiloe Building, but now acts as a second layer to the buildings internal archway and functions as the entrance to the event, which will see some 25,000 visitors over the three day event. This is the second year running that the studio has created an installation using angled surface pixelation for the event; last years bright yellow tiled bar-front was situated in the old garage on Clerkenwell Road.
